List of people involved;
-Party goers
-Harry Stuckey
-Alix Grayland
-Rebecca Nutley
-Hannah Kubias
-Aaron McDonnell
-Ruth Lowe
-Jon Cook
List of props;
-Drink
-Bottle caps
-Music
-Costumes
-Camera
-Masks
-Cars
-Street lamp
-Skip
-Sofa
-Carpet
-Table
-Lights
Locations;
-Jamie Davis' house.
-Bexley Villiage, Bexley Studio
-Swanscome Peninsula
Thursday, 30 January 2014
Friday, 17 January 2014
Copyright Permission Letter
Dear Copyright Holder,
We are A-Level students and we are writing to request your permission to use one your tracks from Kesha's Album Warrior. The track we wish to use is Out Alive.
With your permission, this task would be used in our current A-Level Media Studies project, which involves creating a music video to a popular music video to popular music track of our choice.
If we received your permission, this track would ONLY be used in an educational context and be viewed by our music class, our teacher and the Rockschool exam board moderator. It would not be released to a large audience.
The artist and your company would of course be fully recognised throughout the pre-production and the final video itself. A copyright notice with wording supplied by you can be included in the records of the project. If this is required, please send full details.
We look forward to hearing from you,
Regards
Harry Stuckey, Rebecca Nutley, Alix Grayland.
We are A-Level students and we are writing to request your permission to use one your tracks from Kesha's Album Warrior. The track we wish to use is Out Alive.
With your permission, this task would be used in our current A-Level Media Studies project, which involves creating a music video to a popular music video to popular music track of our choice.
If we received your permission, this track would ONLY be used in an educational context and be viewed by our music class, our teacher and the Rockschool exam board moderator. It would not be released to a large audience.
The artist and your company would of course be fully recognised throughout the pre-production and the final video itself. A copyright notice with wording supplied by you can be included in the records of the project. If this is required, please send full details.
We look forward to hearing from you,
Regards
Harry Stuckey, Rebecca Nutley, Alix Grayland.
Thursday, 19 December 2013
Categories of Music Videos
Categories of music videos
Performance
based videos
Performance
based videos are often showing the band or artist of the song performing their
song in the music video. Rock music videos often do this, for example: Green
day’s American Idiot. The videos are normally showing the artists, what they
are wearing, and what they are singing. Performance based videos would be
boring if it was just showing a performance, the artists would normally be
doing something strange on stage, or it would cut to the crowd watching the
artists at some point. Another example of this would be “smells like team
spirit” by Nirvana. The singer would be shown singing with a guitar in his hands at one point,
and it would cut to something like people headbanging.
Concept
based videos
Concept
based music videos are often showing something completely random, and don’t
follow any story line. For example, Pendulum’s music video for Slam. There is a
fairly large man in a suit, who is walking on a street, when all of a sudden;
he starts to remove his shirt and tie, and starts dancing on the street.
Narrative
based videos
Narrative based music videos follow a
story line, and the story line follows the video throughout the entire song. An example of a narrative based music video would be Daft Punk’s “Aerodynamic”
which shows an animated band of aliens doing a gig where the power goes out because of someone messing with it, which then follows with
people coming onto the stage and into the crowd, hunting the aliens and capturing them. The
song goes into a whole album with a storyline.
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